24 pagesIncludes bibliographical references."“The Scop’s Repertoire” evinces remarkable longevity and stability as a poetic theme. The evidence surveyed here suggests that the theme has roots in preliterate Germanic poetic tradition, and it persists down to the tenth- or eleventh-century Harleian pen trial (and, on the Continent, to the thirteenth-century Nibelungenlied)."--Page 19
Abstract: Although it has been fashionable lately to read Old English poetry as being critical of th...
TypescriptIncludes letters of approval from Chester Murray and H.M. Belden.This thesis compares Laya...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...
This essay identifies “The Scop’s Repertoire” as an Old English traditional theme. The theme associa...
Additional multimedia to accompany this article is available from http://journal.oraltradition.org/i...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
The conventional hypothesis of Old English poetic composition assumed that poets used a limited numb...
Twenty-six poems and fragments of poems are known to have survived the Anglo-Saxon period in more th...
This chapter in a collection of essays on oral literature I look at the Old English Beowulf and disc...
Even within an advanced print culture, poetry arguably never escapes the oral dimension. For Ezra Po...
In this thesis I attempt to trace the development of the criticism of Old English poetic diction and...
The ability to compose and perform poetry or song is repeatedly linked with a state of old age in th...
This essay examines the representation or staging of oral performance and poetic composition within ...
This article assesses the authenticity of the three-position SxS verse type in Beowulf on the basis ...
Abstract: Although it has been fashionable lately to read Old English poetry as being critical of th...
TypescriptIncludes letters of approval from Chester Murray and H.M. Belden.This thesis compares Laya...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...
This essay identifies “The Scop’s Repertoire” as an Old English traditional theme. The theme associa...
Additional multimedia to accompany this article is available from http://journal.oraltradition.org/i...
Since the publication of Francis P. Magoun's (1953) seminal article on the formula in Anglo-Saxon na...
This thesis uses a study of the collocation of words for treasure to address the question of the rel...
The conventional hypothesis of Old English poetic composition assumed that poets used a limited numb...
Twenty-six poems and fragments of poems are known to have survived the Anglo-Saxon period in more th...
This chapter in a collection of essays on oral literature I look at the Old English Beowulf and disc...
Even within an advanced print culture, poetry arguably never escapes the oral dimension. For Ezra Po...
In this thesis I attempt to trace the development of the criticism of Old English poetic diction and...
The ability to compose and perform poetry or song is repeatedly linked with a state of old age in th...
This essay examines the representation or staging of oral performance and poetic composition within ...
This article assesses the authenticity of the three-position SxS verse type in Beowulf on the basis ...
Abstract: Although it has been fashionable lately to read Old English poetry as being critical of th...
TypescriptIncludes letters of approval from Chester Murray and H.M. Belden.This thesis compares Laya...
This article begins by noting that the narrative coherence of literary history as a genre, and the i...